In his debut collection, Real Boys, Thomas Stewart examines the death of his father and explores questions of grief, guilt, mental health, identity, sexuality and masculinity. As these poems unfold, a hallway of mirrors is created. Through the lens of father-son relationships, cinema, art and Welsh mythology are expanded and rethought. This collection grapples with what it means to be a father, a son and a self. Subverting the notions of gender, Stewart addresses both the damage of old stereotypes and the passage of generational trauma, questioning how we might change.