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melt, structurally influenced by the poet’s work as an artistbook maker, enfolds the intimacy of the known with what is unseen, and seemingly remote. Here, Hymas creates a poetic space of ocean as an assemblage of animal, plant, plastic, mineral, technology, human and more, a book that reaches for an ecological mutuality, a reorientation of that which appears distant into a poetic proximity. And just as there is no one way to read the sea, there is no one way to read this book. The philosophical, scientific and non-linguistical approaches that underpin these marine lyrics reveal the slender folds between internal and external worlds, between poem, woman and ocean.
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